Late Antique and Medieval Art of the Mediterranean World
%25
2.411,21 TL
1.808,41 TL
Kategori
Yayınevi
Barkod
9781405120722
Yazar
Hoffman, Eva R.
Yayın Dili
İngilizce
Yayın Yılı
2007
Sayfa Sayısı
448
Kapak Tipi
Karton Kapak
Piyasa Fiyatı
68,50 USD
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. * A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine * Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship * Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world * Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
Review: "This volume brings together with much intelligence key essays from across the fields of Ancient, Late Antique, Early Christian, Byzantine, Medieval, and Islamic art and architecture." (David Roxburgh, Harvard University) "This is a very useful volume of important papers by scholars working on all the different cultures that surrounded the Mediterranean from Late Antiquity on, and juxtaposes them to shed light on their complex interactions and interdependence." (Tony Eastmond, University of Courtauld)
List of Contributors List of Illustrations Series Editor's Preface Editor's Acknowledgments Acknowledgments to Sources Introduction: Remapping the Art of the Mediterranean Part I: Late Antiquity: Converging Cultures, Competing Traditions. Pagan, Jewish, Christian, and Sasanian Art 1. The Changing Nature of Roman Art and the Art-Historical Problem of Style: Jas Elsner 2. Good and Bad Images from the Synagogue of Dura Europos: Contexts, Subtexts, Intertexts: Annabel Jane Wharton 3. Exotic Taste: The Lure of Sasanian Persia: Anna Gonosova 4. Dionysiac Motifs: Richard Ettinghausen Part II: Continuities: Tradition and Formation of Cultural Identities 5. The Good Life: Henry Maguire 6. Hellenism and Islam: G. W. Bowersock 7. The Draped Universe of Islam: Lisa Golombek Part III: Image and Word: Early Medieval, Byzantine, and Islamic Art 8. The Beginnings of Biblical Illustration: John Lowden 9 Sacred Image, Sacred Power: Gary Vikan 10. The Umayyad Dome of the Rock in Jerusalem: Oleg Grabar 11. The Image of the Word: Notes on the Religious Iconography of Islam: Erica Cruikshank Dodd 12. Islam, Iconoclasm, and the Declaration of Doctrine: G. R. D. King Part IV: Local Syncretistic Traditions: Jews, Muslims, and Christians 13. Hebrew Book Illumination in the Fatimid Era: Rachel Milstein 14. An Icon at Mt. Sinai and Christian Painting in Muslim Egypt during the Thirteenth and Fourteenth Centuries: Robert S. Nelson Part V: Luxury Arts and the Representation of the Court 15. The Cup of San Marco and the 'Classical' in Byzantium: Ioli Kalavrezou 16. Images of the Court: Henry Maguire 17. But Is It Art?: Robin Cormack Part VI: Expanding Boundaries: Spain, Sicily, Venice, and Beyond 18. Pathways of Portability: Islamic and Christian Interchange from the Tenth to the Twelfth Century: Eva R. Hoffman 19. Islam, Christianity, and the Problem of Religious Art: Jerrilyn D. Dodds 20. The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo: William Tronzo 21. Venice and Islam in the Middle Ages: Some Observations on the Question of Architectural Influence: Deborah Howard Index
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