Material Identities

'Material Identities' examines the way that individuals use material objects as tools for conveying certain aspects of their personalities to others. Exploring the complexity of identity through the intersecting notions of gender, ethnicity, age, sexuality, and class, this book looks at the deliberate expression and manipulation of identity through the use of material goods, and how individuals single out aspects of themselves in order to project or conceal particular characteristics. Engaging with objects from the past and present, high and low culture, and from around the globe, this volume explores the range of contrasting media from painting and print to clothing and furniture, and takes the reader on a whirlwind tour of material culture's expression, and identity's careful orchestration. Contributors include experts from various fields including architectural theory and museum studies.

 

Series Editor's preface List of illustrations About the contributors 1. Introduction: Materiality and Identity: Joanna Sofaer (University of Southampton) Part I: Projecting Identities 2. Mai/Omai in London and the South Pacific: Performativity, Cultural Entanglement and Indigenous Appropriation: Jocelyn Hackforth-Jones (Richmond The American International University) 3. Projecting Identities in the Greek Symposion: Robin Osborne (University of Cambridge) Part II: Material and Social Transformations 4. Bernini Struts: Michael Cole (University of Pennsylvania) 5. Architectural Style and Identity in Egypt: Doris Behrens-Abouseif (University of London) 6. Identifying the Body: Representing Self. Art, Ornamentation and the Body in Later Prehistoric Europe: Fay Stevens (University College London) Part III: Politics and Identity 7. Aristocratic Identity: Regency Furniture and the Egyptian Revival Style: Abigail Harrison-Moore (University of Leeds) 8. Architecture, Power and Politics: the Forum-Basilica in Roman Britain: Louise Revell (University of Southampton) Bibliography Index